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Sergio Mendes Herb Alpert Presents Rar File

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Sergio Mendes Herb Alpert Presents Rar Files by Thursday 22 November This is the album that put Brasil'66 on the map and transformed Sergio Mendes from a respected jazz pianist to an international pop star. Sep 10, 2016 I was driving around for a bit today and my needledrop of the Mobile Fidelity Sound Lab's version of HERB ALPERT PRESENTS SERGIO MENDES & BRASIL '66 came on. It just sounded SO good - far better than any CD version I've ever heard. All of the nuances of the instruments, the voices, even the air.

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Sergio Mendes Herb Alpert Presents Rar File


[align=center]
Artist: Herb Alpert
Title: North On South St.
Year Of Release: 1991/2017
Label: Herb Alpert Presents
Genre: Jazz, Funk
Quality: flac 24bits - 88.2kHz
Total Time: 00:44:36
Total Size: 969 mb

Tracklist
---------
01. Jump Street
02. It's The Last Dance
03. Passion Lady
04. North On South St.
05. Paradise 25
06. Na Na Na
07. Funky Reggae
08. Where's Tommy?
09. City Terrace
10. I Can't Stop Thinking About You
One of the most successful instrumental performers in pop history, trumpeter Herb Alpert was also one of the entertainment industry's shrewdest businessmen: A&M, the label he co-founded with partner Jerry Moss, ranks among the most prosperous artist-owned companies ever established. Born March 31, 1935 in Los Angeles, Alpert began playing the trumpet at the age of eight. After serving in the Army, he attempted to forge an acting career, but soon returned to music, recording under the name Dore Alpert for RCA.
With Lou Adler, Alpert co-wrote a number of Sam Cooke's most enduring hits, including 'Wonderful World' and 'Only Sixteen.' Under the name Dante & the Evergreens, he and Adler also recorded a cover of the Hollywood Argyles' 'Alley Oop'; additionally, Alpert produced tracks for the surf duo Jan & Dean. In 1962, he teamed with Moss to found A&M Records, scoring a Top Ten hit with the single 'The Lonely Bull.'
From its humble origins as a company run out of Alpert's garage, A&M grew to become the world's biggest independent label; among its greatest successes were the Carpenters, Cat Stevens, Joe Cocker, and Sergio Mendes & Brasil '66. Nevertheless, Alpert and his backing unit, the Tijuana Brass, remained the label's flagship act: on the strength of the hit 'A Taste of Honey,' his 1965 LP Whipped Cream and Other Delights topped the charts, popularizing his Latin-influenced style (dubbed 'Ameriachi'). The follow-up, 1965's Going Places, also hit number one, launching the hit 'Spanish Flea.'
After 1966's What Now My Love - his most popular effort, remaining at number one for nine weeks - Alpert continued to dominate the charts with records including 1966's S.R.O. and the following year's Sounds Like and Herb Alpert's Ninth. In 1968, he scored his first number one single by taking a rare vocal turn on a rendition of Burt Bacharach's 'This Guy's in Love with You.' The album Beat of the Brass followed the hit to the top of the charts, becoming Alpert's fifth and final number one LP.
Released in 1969, Warm was the first of Alpert's 11 albums not to crack the Top 20; by 1971's Summertime, his commercial fates had fallen to the point where he no longer reached the Top 100. As A&M continued to thrive, he moved his primary focus from music to industry, although he regularly recorded throughout the early '70s; 1974's You Smile, the Song Begins was his most successful outing in several years, but subsequent releases like 1975's Coney Island and 1976's Just You and Me met with greater chart resistance.
In 1979, Alpert staged a major comeback with Rise; not only did the album reach the Top Ten, but the title track topped the singles charts and became the biggest hit of his career. The follow-up, 1980's Beyond, was a Top 40 success, but subsequent efforts like 1982's Fandango and 1985's Wild Romance fared poorly. In 1987, Alpert enjoyed another renaissance with the album Keep Your Eye on Me; the lead single 'Diamonds' hit the Top Five and featured a guest vocal from Janet Jackson, one of A&M's towering successes of the late '80s.
Alpert continued recording throughout the '90s, producing work like 1991's North on South Street, 1992's Midnight Sun, and 1997's Passion Dance. After selling A&M to PolyGram in 1990 for a sum in excess of $500 million, he and Moss founded a new label, Almo Sounds, in 1994; among the imprint's hit artists was the group Garbage. His own albums, including 1997's Passion Dance and 1999's Colors, were also released on the label. Alpert also tackled other forms of media, exhibiting his abstract expressionist paintings and co-producing a number of Broadway successes, including Angels in America and Jelly's Last Jam. He also established The Herb Alpert Foundation, a philanthropic organization dedicated to establishing educational, arts, and environmental programs for children.
In 2007, Alpert and his wife, former Sergio Mendes & Brasil '66 vocalist Lani Hall, began touring regularly and recording together, releasing 2009's Anything Goes and 2011's I Feel You. The albums found the duo touching upon various aspects of their careers, including jazz standards, Brazilian and Latin music, pop songs, and reworkings of classic hits. He was awarded the National Medal of Arts by President Barack Obama and First Lady Michelle Obama in 2012.
In 2013, Alpert and Hall released the third of these albums, Steppin' Out, which also featured keyboardist Jeff Lorber; the album won a Grammy for Best Pop Instrumental Album in January of 2014. Also that year, Alpert released the electronic dance-infused project In the Mood. The following year, he returned with yet another stylistically varied collection of originals and cover songs, Come Fly with Me. In 2016, Alpert delivered his third album of electronic-tinged tracks, Human Nature, which garnered him yet another Grammy nomination. He quickly returned with 2017's Music, Vol. 1, recorded with producer Jochem van der Saag (Andrea Bocelli, Barbra Streisand, Michael Bublé). Along with originals, the album featured reworkings of the Beatles' 'Michelle' and John Lennon's 'Imagine.'

https://rapidgator.net/file/9b5f4c6eea1366afd8dd4d8f7[цензура]3752/15666HS17HiRes.rar.html

https://ssh.tf/mTXATAvoj/15666HS17HiRes.rar


Artist: Sergio Mendes & Brasil '66
Title: Live at the Expo '70
Year Of Release: 2002
Label: A&M/Universal/Victor
Genre: Samba, Bossa Nova, Brazilian Jazz
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 52:23
Total Size: 316 MB
WebSite: Album Preview
Tracklist:
01. What the World Needs Now/Pretty World (5:30)
02. Going Out of My Head (3:35)
03. Pra Dizer Adeus (To Say Goodbye) (4:37)
04. (Sittin' On) The Dock of the Bay (3:18)
05. Day Tripper (7:08)
06. Fool on the Hill (3:47)
07. Scarborough Fair (7:25)
08. Norwegian Wood (6:02)
09. Mas Que Nada (6:15)
Herb

10. Viola (4:46)
Sergio


[align=center]
Artist: Herb Alpert
Title: North On South St.
Year Of Release: 1991/2017
Label: Herb Alpert Presents
Genre: Jazz, Funk
Quality: flac 24bits - 88.2kHz
Total Time: 00:44:36
Total Size: 969 mb

Tracklist
---------
01. Jump Street
02. It's The Last Dance
03. Passion Lady
04. North On South St.
05. Paradise 25
06. Na Na Na
07. Funky Reggae
08. Where's Tommy?
09. City Terrace
10. I Can't Stop Thinking About You
One of the most successful instrumental performers in pop history, trumpeter Herb Alpert was also one of the entertainment industry's shrewdest businessmen: A&M, the label he co-founded with partner Jerry Moss, ranks among the most prosperous artist-owned companies ever established. Born March 31, 1935 in Los Angeles, Alpert began playing the trumpet at the age of eight. After serving in the Army, he attempted to forge an acting career, but soon returned to music, recording under the name Dore Alpert for RCA.
With Lou Adler, Alpert co-wrote a number of Sam Cooke's most enduring hits, including 'Wonderful World' and 'Only Sixteen.' Under the name Dante & the Evergreens, he and Adler also recorded a cover of the Hollywood Argyles' 'Alley Oop'; additionally, Alpert produced tracks for the surf duo Jan & Dean. In 1962, he teamed with Moss to found A&M Records, scoring a Top Ten hit with the single 'The Lonely Bull.'
From its humble origins as a company run out of Alpert's garage, A&M grew to become the world's biggest independent label; among its greatest successes were the Carpenters, Cat Stevens, Joe Cocker, and Sergio Mendes & Brasil '66. Nevertheless, Alpert and his backing unit, the Tijuana Brass, remained the label's flagship act: on the strength of the hit 'A Taste of Honey,' his 1965 LP Whipped Cream and Other Delights topped the charts, popularizing his Latin-influenced style (dubbed 'Ameriachi'). The follow-up, 1965's Going Places, also hit number one, launching the hit 'Spanish Flea.'
After 1966's What Now My Love - his most popular effort, remaining at number one for nine weeks - Alpert continued to dominate the charts with records including 1966's S.R.O. and the following year's Sounds Like and Herb Alpert's Ninth. In 1968, he scored his first number one single by taking a rare vocal turn on a rendition of Burt Bacharach's 'This Guy's in Love with You.' The album Beat of the Brass followed the hit to the top of the charts, becoming Alpert's fifth and final number one LP.
Released in 1969, Warm was the first of Alpert's 11 albums not to crack the Top 20; by 1971's Summertime, his commercial fates had fallen to the point where he no longer reached the Top 100. As A&M continued to thrive, he moved his primary focus from music to industry, although he regularly recorded throughout the early '70s; 1974's You Smile, the Song Begins was his most successful outing in several years, but subsequent releases like 1975's Coney Island and 1976's Just You and Me met with greater chart resistance.
In 1979, Alpert staged a major comeback with Rise; not only did the album reach the Top Ten, but the title track topped the singles charts and became the biggest hit of his career. The follow-up, 1980's Beyond, was a Top 40 success, but subsequent efforts like 1982's Fandango and 1985's Wild Romance fared poorly. In 1987, Alpert enjoyed another renaissance with the album Keep Your Eye on Me; the lead single 'Diamonds' hit the Top Five and featured a guest vocal from Janet Jackson, one of A&M's towering successes of the late '80s.
Alpert continued recording throughout the '90s, producing work like 1991's North on South Street, 1992's Midnight Sun, and 1997's Passion Dance. After selling A&M to PolyGram in 1990 for a sum in excess of $500 million, he and Moss founded a new label, Almo Sounds, in 1994; among the imprint's hit artists was the group Garbage. His own albums, including 1997's Passion Dance and 1999's Colors, were also released on the label. Alpert also tackled other forms of media, exhibiting his abstract expressionist paintings and co-producing a number of Broadway successes, including Angels in America and Jelly's Last Jam. He also established The Herb Alpert Foundation, a philanthropic organization dedicated to establishing educational, arts, and environmental programs for children.
In 2007, Alpert and his wife, former Sergio Mendes & Brasil '66 vocalist Lani Hall, began touring regularly and recording together, releasing 2009's Anything Goes and 2011's I Feel You. The albums found the duo touching upon various aspects of their careers, including jazz standards, Brazilian and Latin music, pop songs, and reworkings of classic hits. He was awarded the National Medal of Arts by President Barack Obama and First Lady Michelle Obama in 2012.
In 2013, Alpert and Hall released the third of these albums, Steppin' Out, which also featured keyboardist Jeff Lorber; the album won a Grammy for Best Pop Instrumental Album in January of 2014. Also that year, Alpert released the electronic dance-infused project In the Mood. The following year, he returned with yet another stylistically varied collection of originals and cover songs, Come Fly with Me. In 2016, Alpert delivered his third album of electronic-tinged tracks, Human Nature, which garnered him yet another Grammy nomination. He quickly returned with 2017's Music, Vol. 1, recorded with producer Jochem van der Saag (Andrea Bocelli, Barbra Streisand, Michael Bublé). Along with originals, the album featured reworkings of the Beatles' 'Michelle' and John Lennon's 'Imagine.'

https://rapidgator.net/file/9b5f4c6eea1366afd8dd4d8f7[цензура]3752/15666HS17HiRes.rar.html

https://ssh.tf/mTXATAvoj/15666HS17HiRes.rar


Artist: Sergio Mendes & Brasil '66
Title: Live at the Expo '70
Year Of Release: 2002
Label: A&M/Universal/Victor
Genre: Samba, Bossa Nova, Brazilian Jazz
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 52:23
Total Size: 316 MB
WebSite: Album Preview
Tracklist:
01. What the World Needs Now/Pretty World (5:30)
02. Going Out of My Head (3:35)
03. Pra Dizer Adeus (To Say Goodbye) (4:37)
04. (Sittin' On) The Dock of the Bay (3:18)
05. Day Tripper (7:08)
06. Fool on the Hill (3:47)
07. Scarborough Fair (7:25)
08. Norwegian Wood (6:02)
09. Mas Que Nada (6:15)
10. Viola (4:46)
This live album from the prime of Sergio Mendes and his 'classic' Brasil '66 lineup was released for the Japanese market only (although this reissue is now easily obtainable on the Web everywhere at sky-high import prices). The official reason that this album was a Japanese-only release was probably that all of these tunes (dating from 'Herb Alpert Presents' through 'Ye-Me-Le') were available in the U.S. in polished studio versions. The unofficial reason may be that the two female singers in the band, Lani Hall and Karen Philipp, were not in their best form on this gig. On-stage live in Osaka, Japan, the smooth vocal blend from the L.A. studios was nowhere to be heard. Some obvious pitch problems were not corrected by re-recording, and their timbres clash, the latter effect exacerbated by the placing of each singer on a separate stereo channel (Hall on the left, Philipp on the right). Yet there is much to be said for this once-difficult-to-get release. It's an honest record, catching the sextet au naturel without the backing orchestrations of the studio records, no longer at the mercy of the airplay stopwatch and ready to groove. It's a rare chance to hear Mendes stretch out at some length on acoustic grand piano during this period, revealing that his roots as a player were and are more attuned to mainstream American jazz than strictly Brazilian idioms. The arrangements sometimes follow the contours of the studio versions for awhile, then veer away for some serious, extended jamming ('Day Tripper,' 'Scarborough Fair'). The vocalists do have their moments; Hall gets off some passages of persuasive passion on 'The Dock of the Bay,' as does the earthier-toned Philipp in spots. There is also a bonus track from the concert that's not on the original LP -- Marcos Valle's 'Viola,' which builds from a delicate opening to a simmering heat. 'Live at the Expo '70' is not to be confused with another, musically superior import, In Concert, which was recorded only two years later with Brasil '77 but was not included in A&M Japan's 2006 Mendes CD reissue project.

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Sergio Mendes & Brasil '66 - Live at the Expo '70 (2002)
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Sergio Mendes Herb Alpert Presents Rar Files

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